1Cultura jovem em movimentos alternativos de Teresina-PIDe Paulo Freire a Ferréz: razão e construção do saber das populações oprimidas índice de autoresíndice de materiabúsqueda de trabajos
Home Pagelista alfabética de eventos  

Anais do Primeiro Colóquio Internacional Culturas Jovens Afro-Brasil América: Encontros e Desencontros


ISBN 978-85-60944-38-5 versión on-line

Resumen

ROCHA, Eduardo Cardoso. Hip-hop& sarau: o Capão Redondo como centro da luta cultural. In Anales del 1o. Colóquio Internacional Culturas Jovens Afro-Brasil América: Encontros e Desencontros Anais do Primeiro Colóquio Internacional Culturas Jovens Afro-Brasil América: Encontros e Desencontros, 2012, São Paulo (SP) [online]. 2012 [citado 28 Marzo 2024]. Disponible en: <http://www.proceedings.scielo.br/scielo.php?script=sci_arttext&pid=MSC0000000132012000100010&lng=es&nrm=iso> .

The Capão Redondo is a territory of the southern outskirts of the city of São Paulo. It became known at the end of the twentieth century through the "active voice" of groups of rappers like the Racionais MC's. The voices of rappers are constituents and constituted by the way of life of the local residents. Racism and death emerge as elements that form the social experience of the community, with greater impact for their youth. These are facts inscribed into the process of subjectivity formed by historic and structural conflicts lived mainly by young blacks. Anti-black genocide is represented in the musical discourse of the rappers Racionais. Currently, the neighborhood is movement for Sarau Vila Fundão that hosts parties on their streets. In continuity with the hip hop movement (SILVA, 2011), the sarau - allied to the "active voice" of the rappers - renews and adds to the process of emerging political and cultural struggles into streets of the Capão Redondo.

Palabras llave : Hip-hop; Soirees; Racionais MC's; Capão Redondo; Cultural Struggle.

        · resumen en portugués     · texto en portugués     · pdf en portugués